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During the 25th and 26th dynasties , the Book of the Dead was updated, revised and standardised. Spells were consistently ordered and numbered for the first time.
This standardised version is known today as the 'Saite recension', after the Saite 26th dynasty. In the Late period and Ptolemaic period , the Book of the Dead remained based on the Saite recension, though increasingly abbreviated towards the end of the Ptolemaic period.
The last use of the Book of the Dead was in the 1st century BCE, though some artistic motifs drawn from it were still in use in Roman times.
The Book of the Dead is made up of a number of individual texts and their accompanying illustrations. Most sub-texts begin with the word ro, which can mean "mouth," "speech," "spell," "utterance," "incantation," or "a chapter of a book.
At present, some spells are known,  though no single manuscript contains them all. They served a range of purposes. Some are intended to give the deceased mystical knowledge in the afterlife, or perhaps to identify them with the gods: Still others protect the deceased from various hostile forces or guide him through the underworld past various obstacles.
Famously, two spells also deal with the judgement of the deceased in the Weighing of the Heart ritual. Such spells as 26—30, and sometimes spells 6 and , relate to the heart and were inscribed on scarabs.
The texts and images of the Book of the Dead were magical as well as religious. Magic was as legitimate an activity as praying to the gods, even when the magic was aimed at controlling the gods themselves.
The act of speaking a ritual formula was an act of creation;  there is a sense in which action and speech were one and the same thing.
Hieroglyphic script was held to have been invented by the god Thoth , and the hieroglyphs themselves were powerful.
Written words conveyed the full force of a spell. The spells of the Book of the Dead made use of several magical techniques which can also be seen in other areas of Egyptian life.
A number of spells are for magical amulets , which would protect the deceased from harm. In addition to being represented on a Book of the Dead papyrus, these spells appeared on amulets wound into the wrappings of a mummy.
Other items in direct contact with the body in the tomb, such as headrests, were also considered to have amuletic value.
Almost every Book of the Dead was unique, containing a different mixture of spells drawn from the corpus of texts available. For most of the history of the Book of the Dead there was no defined order or structure.
The spells in the Book of the Dead depict Egyptian beliefs about the nature of death and the afterlife. The Book of the Dead is a vital source of information about Egyptian beliefs in this area.
One aspect of death was the disintegration of the various kheperu , or modes of existence. Mummification served to preserve and transform the physical body into sah , an idealised form with divine aspects;  the Book of the Dead contained spells aimed at preserving the body of the deceased, which may have been recited during the process of mummification.
The ka , or life-force, remained in the tomb with the dead body, and required sustenance from offerings of food, water and incense.
In case priests or relatives failed to provide these offerings, Spell ensured the ka was satisfied. It was the ba , depicted as a human-headed bird, which could "go forth by day" from the tomb into the world; spells 61 and 89 acted to preserve it.
An akh was a blessed spirit with magical powers who would dwell among the gods. The nature of the afterlife which the dead person enjoyed is difficult to define, because of the differing traditions within Ancient Egyptian religion.
In the Book of the Dead , the dead were taken into the presence of the god Osiris , who was confined to the subterranean Duat. There are also spells to enable the ba or akh of the dead to join Ra as he travelled the sky in his sun-barque, and help him fight off Apep.
There are fields, crops, oxen, people and waterways. The deceased person is shown encountering the Great Ennead , a group of gods, as well as his or her own parents.
While the depiction of the Field of Reeds is pleasant and plentiful, it is also clear that manual labour is required.
For this reason burials included a number of statuettes named shabti , or later ushebti. These statuettes were inscribed with a spell, also included in the Book of the Dead , requiring them to undertake any manual labour that might be the owner's duty in the afterlife.
The path to the afterlife as laid out in the Book of the Dead was a difficult one. The deceased was required to pass a series of gates, caverns and mounds guarded by supernatural creatures.
Their names—for instance, "He who lives on snakes" or "He who dances in blood"—are equally grotesque. These creatures had to be pacified by reciting the appropriate spells included in the Book of the Dead ; once pacified they posed no further threat, and could even extend their protection to the dead person.
Search Expanded search options. Favorite Quotes Some favorite quotes from the Law of One sessions. Unusual Words Unusual words found in the Ra sessions.
Relistening Report Report on the changes discovered to date in the relistening project. Timeline Timeline of events mentioned in the material.
Tips and Tricks Techniques for using this site. Links Links to translations, study guides, forums, and other sites and pages discussing the Law of One.
Supplementary Excerpts Interesting excerpts found elsewhere about aspects of the Law of One material. Versions Explanation of the different versions of the Law of One material.
Differences Differences between the various versions. Recent Updates Recent updates to this site. The cult of the Mnevis bull , an embodiment of Ra, had its center in Heliopolis and there was a formal burial ground for the sacrificed bulls north of the city.
All forms of life were believed to have been created by Ra, who called each of them into existence by speaking their secret names.
Alternatively man was created from Ra's tears and sweat, hence the Egyptians call themselves the "Cattle of Ra".
In the myth of the Celestial Cow it is recounted how mankind plotted against Ra and how he sent his eye as the goddess Sekhmet to punish them.
When she became bloodthirsty Ra pacified her by giving her beer mixed with red dye, which she drank in mistake for blood. To the Egyptians, the sun represented light, warmth, and growth.
This made the sun deity very important, as the sun was seen as the ruler of all that he created. The sun disk was either seen as the body or eye of Ra.
Ra was the father of Shu and Tefnut , whom he created by his own power. Shu was the god of the wind, and Tefnut was the goddess of the rain.
Sekhmet was the Eye of Ra and was created by the fire in Ra's eye. She was a violent lioness sent to slaughter the people who betrayed Ra, but she was later turned into the more peaceful goddess Hathor.
Ra was thought to travel on the Atet , two solar barques called the Mandjet the Boat of Millions of Years or morning boat and the Mesektet or evening boat.
While Ra was on the Mesektet , he was in his ram-headed form. Sometimes, members of the Ennead helped him on his journey, including Set , who overcame the serpent Apophis , and Mehen , who defended against the monsters of the underworld.
When Ra was in the underworld, he would visit all of his various forms. Apophis , the god of chaos, was an enormous serpent who attempted to stop the sun boat's journey every night by consuming it or by stopping it in its tracks with a hypnotic stare.
During the evening, the Egyptians believed that Ra set as Atum or in the form of a ram. The night boat would carry him through the underworld and back towards the east in preparation for his rebirth.
These myths of Ra represented the sun rising as the rebirth of the sun by the sky goddess Nut; thus attributing the concept of rebirth and renewal to Ra and strengthening his role as a creator god as well.
Apophis was born from Ra's umbilical cord , indicative of how evil in Egyptian religion is the result of free will rather than a primordial force.
When Ra was in the underworld, he merged with Osiris , the god of the dead, and through it became the god of the dead as well. Ra was worshipped as the creator god among some ancient Egyptians, specifically followers of his cult at Heliopolis.
Hu , or authority, and Sia , or mind. Ra was represented in a variety of forms.
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